Until January 6th, we offer you the possibility to pre-order our new issue (#57 Jan-Feb 2025) or, better yet, to subscribe to The Funambulist to be among the first to receive your copy. We will send you the digital version of the issue on January 6th, the day of the release.
This issue contests the idea that the lack of sunlight characterizing the Night, means that we “see” less in darkness than we do in broad daylight. In fact, the refraction of sunlight in the Earth’s atmosphere prevents us from seeing beyond this atmospheric layer, whereas the Night allows for a much broader vision of a multitude of celestial bodies in the Universe. Seeing the night sky decenters us at the scale of individuals, and even at the planetary level—something that the 1971 Attica rebels must have intensely experienced when they dedicated parts of their nights to gaze at the stars from the courtyard of their New York State prison, as described by Orisanmi Burton in Tip of the Spear. This issue’s subtitle is also its index:
— Constellations as fundamental entities of the Hawaiian Kanaka Maoli world (D. Kauwila Mahi)
— Curfews in the townships of Cape Town during and after the Apartheid (Stephanie Briers).
— Rituals of coastal and countryside Haiti in the art of Shneider Léon Hilaire on the issue’s cover and across its pages.
— Nocturnal Guerrillas at the beginning of the Algerian Revolution (Daho Djerbal)
— Sex Workers and night labor in New York City (Yin Q).
— Flares over South Lebanon, Sabra and Shatila (Mohamed Nahleh) and in the fire of a colonial house in 1947 Madagascar (Marie Ranjanoro)
— Ghosts of the Ocean off the coast of Dakar as suggested by Mati Diop‘s Atlantics.
— Northern Lights playing games over the heads of children in Inuit Nunaat (Krista Ulujuk Zawadski)
You can read Léopold Lambert’s full introduction here.
In the News from the Fronts section, you can read a short history of the Jewish Labor Bund (Molly Crabapple), a response to the question “Yes, #FreeSudan but from what and by whom?” (Muzan Alneel), and a personal account on caste, dirt, and sociality in the context of Dharavi in Bombay (Shripad Sinnakaar).
You can also order the francophone version and the hispanophone version.
Editor-in-Chief: Léopold Lambert
Head of Communications: Shivangi Mariam Raj
Hispanophone Communication Manager: Sofía Kourí
Office Manager: Assia Tamerdjent
Intern: Noëlle Maltet
Translators: Rosanna Puyol Boralevi (fr), Amina Belghiti (fr), Valentina Sarmiento Cruz (es), Felipe Guerra Arjona (es), María Vignau Loría (es), Émile Gayoso (es), and Léopold Lambert (en)
Graphic Design: Adapted from a model designed by Akakir Studio
Contributing Copy Editor: Carol Que
