If you live in Harlem, you may be familiar with this series of pieces of design on Lexington Avenue and 124th street in New York. Designed in smooth forms and placed over the exhaust grids of the subway station, those benches could have been a great idea to provide homeless people with a place to sleep on, the exhaust locally providing some heat which can be life saving in cold winters. Instead of that, the designer of those benches venally accepted what was probably a demand from the local authorities or the MTA subway company: a design solution to prevent homeless people to lay on them. Those pieces of design being composed by metallic slices, it was easy for the author to break their smoothness and create excrescences that thus create a sufficiently uncomfortable condition for nobody to be tempted to sleep on them.

Design whether it is “industrial” or “building”, acts on the bodies and can choose to comfort them, challenge them (to go beyond I propose the essay I wrote about Spinozist architectures) or to hurt them in a more or less assumed sadistic expression. Those benches are clearly being part of this third proposition and their author is just as much (if not more) responsible for their effect than the authority which commissioned it.