# PHILOSOPHY /// To Have Done with the Massacre of the Body by Félix Guattari

Félix Guattari as photographed by Olivier Garros

Regularly,  I evoke my will to make this blog, non only a (not-so) daily (anymore) platform of expression for my reflective peregrinations, but also an archive of documents which constitute as many tools for my readers in their work. In this spirit today, I would like to publish the totality of the the short essay To Have Done with the Massacre of the Body written by Félix Guattari yet published anonymously for the journal Recherches no. 12, 1973 for who he was the director of publications. Entitled “Three Billion Perverts: Great Encyclopedia of Homosexuals.” , this issue of the journal was destroyed by the French government presided by Georges Pompidou. It is accessible to us thanks to Sylvère Lotringer and his collection of Guattari’s writings published in Chaosophy (semiotext(e), 2007). The transcript version published here is coming from the great database 1,000 Little Hammers which undertake to formalize a useful library of politically subversive documents.

This text (that I was already quoting in my essay about Antonin Artaud) constitutes a powerful inspiration for the series of articles I wrote about the dangerous notion of ideal normative body. Through it, Félix Guattari expresses a violent diatribe about capitalism’s mechanisms of capture of the body. The profound disorder – let’s recall that Guattari was a psychotherapist – felt within this system is produced by the dichotomy between the extremely subjective nature of desire and the narrow and oppressive characteristics of the norms issued from ideology (and religion) but also from the essence of a system which actively profits from a uniformization of desire. F.Guattari therefore argues for a resistance through what he calls micropolitics, a continuous ethical and creative production of desire at a small scale in an attempt for an immanent subversion within the system.

To Have Done with the Massacre of the Body
by Félix Guattari

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# PHILOSOPHY /// Leper Creativity: Cyclonopedia Symposium’s Book

Cover of Leper Creativity by Perry Hall: Sound Drawing 07-04 (2007)

Invention is the transposition of one phase state to another, of one resonance on top of another, and it expresses therefore the deep recomposability, indeed deep recomputability, of worldly substance. Catherine Malabou speaks of the world’s plasticity as a condition of its futurity. When or where? Less than deep recomputability causes a genuinely new condition to emerge ‘later in time’ simultaneous to some postponed event, it does so ‘here’ in the recombinancy of an infinite synchronic field of the longest possible ‘now’. This is the absolute contingency of mathematics collapsing into the moratal contingency of stuff. That is, does everything that has ever existed now, in the molecular transformation of geo-programmatic recycling, and also, does everything that will ever exist already do so in another larval, disorganized distribution?

Bratton Benjamin. Root the Earth in  Leper Creativity. Brooklyn: Punctum Books, 2012. P46

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# ARCHITECTURAL THEORIES /// Imperfect Health: The Medicalization of Architecture

Breathing Room by Kayt Brumder (2009) / Excerpt from Imperfect Health

Before starting this article, I would like to say that I am well aware that what might distinguish this blog from others is the fact that architecture is only rarely questioned directly but rather via indirect means and disciplines. Lately I have been writing much more articles which, on the contrary, deal with architecture more explicitly. My readings and research work by phases and the recurrence of certain topics is not revealing a deep change in my editorial line but should rather be interpreted as chapters of it.

From October 2011 to April 2012, the Canadian Centre for Architecture displayed the exhibition Imperfect Health: The Medicalization of Architecture. In parallel of it has been edited a book with the same name by Giovanna Borasi and Mirko Zardini (Lars Muller Publishers). This volume – and therefore the exhibition – explores the heritage of modernism which promoted the antic ‘mens sana in corpore sano’ (a sane mind within a sane body) and was undertaking to design architecture around it. Through the various essays of the book, two approaches seems to emerge:

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# ARCHITECTURAL THEORIES /// Decartes versus Spinoza: A Personal Reading of Tarp Not Nature

Last Friday, the journal of Pratt Graduate School of Architecture’s students released its third issue in this format. This year’s volume gathers  a certain amount of well known thinkers and designers (Catherine Ingraham, Ed Keller, David Gissen, Sandford Kwinter, Alisa Andrasek, Patrik Schumacher, Antoine Picon and more) and is slyly entitled Not Nature. Slyly indeed as, through the negative form of its title, it proposes precisely  to debate around the very notion of nature. In this regard, we can distinguish two discourses opposing each other in the very important discrepancy of axioms defining nature.

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# GUEST WRITERS ESSAYS 27 /// Apian Semantics by Matthew Clements

This week’s guest writer is Matthew Clements who is a PhD candidate at the fantastic London Consortium which gathers the very rich resources of the Architectural Association, Birkbeck College (University of London), the Institute of Contemporary Arts, Science Museum and TATE. In this essay, Apian Semantics, Matthew introduces us to his main field of research: biosemiotics via a discourse about bees’ language/dance articulating writings from Samuel Beckett, Karl von Frisch and Aristotle. The latter developed indeed a theory of ‘political animals’ but still suffers from a very anthropocentric point of view on bees’ semiotics. Although the symbolism that characterizes each form of language (there is probably nothing more symbolical than language itself) would tend to insist on the self-determinism of a species, Matthew opens the possibility of a contrary argument: language would be precisely what makes us express the non-contingent forces of the earth.
As a design parallel, I invite the readers of this text to revisit the Sadic Apiaries designed by Brian Buckner & Loukia Tsafoulia for Francois Roche’s studio at Columbia University in Fall 2010.

Apian Semantics
by Matthew Clements

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# ARCHITECTURAL THEORIES /// The Architecture of Failure by Douglas Murphy

The book The Architecture of Failure (Winchester: Zero Books, 2012) written by Douglas Murphy is a reading of architecture history from Crystal Palace (1851) to our contemporary ‘parametricism’ through a very corrosive filter as the title could suggest. However, what this same title fails to describe is what is being really criticized by D.Murphy between his lines, not so much the architecture that creates a new paradigm by its very existence and narrative, but rather the movement that emerges consecutively to the birth of this new model. The first part of the book is dedicated to the second part of the 19th century’s reign of iron and glass engaged in a  technological progressism along the various spectacular World Exhibitions hosted in Europe. He then skip the first part of the 20th century, probably acknowledging the multitude of discourses critical of modernism already existing, and write our contemporary architectural history starting from the 1960s and what he calls ‘solutionism’.

Although critical of the manifesto architecture that the Pompidou Center embodied, he is more waspish towards the movement that followed its creation including one of its architect, Richard Rogers, and his alter-ego, Norman Foster as their own self-caricature that offered a new architectural embodiment for capitalism when it was originally though in opposition of it:

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# MUSIC /// Sonic Youth Interlude: Small Flowers Crack Concrete

May Day 2012 at Wall Street / Photograph by the author

Small Flowers Crack Concrete
by Sonic Youth   NYC Ghosts & Flowers (2000)

Small flowers crack concrete
Narcotic squads sweep thru poet dens
Spilling coffe grabbing 15 yr old runaway girls
By frazzled ponytailed hair and tossing them
Into backseats of cop cars
The narcs beat the bearded oracles
Replacing tantric love with
Complete violence

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