# HETEROTOPIAS IN CINEMA /// Desert
They walked noiselessly in the sand, slowly, not watching where they were going. The wind blew relentlessly, the desert wind, hot in the daytime, cold at night. The sand swirled about them, between the legs of the camels, lashing the faces of the women, who pulled the blue veils down over their eyes. The young childre ran about, the babies cried, rolled up in the blue cloth on their mothers’ backs. The camels growled, sneezed. No one knew where the caravan was going.
They were the men and the women of the sand, of the wind, of the light, of the night. They had appeared as if in a dream at the top of a dune, as if they were born of the cloudness sky and carried the harshness of space in their limbs. They bore with them hunger, the thrist of bleeding lips, the flintlike silence of the glinting sun, the cold nights, the glow of the Milky Way, the moon: accompanying them were their huge shadows at sunset, the waves of virgin sand over which their splayed feet trod, the inaccessible horizon. More than anything, they bore the light of their gaze shining so brightly in the whites of their eyes.
- Werner Herzog: Fata Morgana 1968
- Gus Van Sant: Gerry 2002
- Chuan Lu: Kekexili (Mountain Patrol) 2006
- Peter Watkins: Punishment Park 1971 (see previous posts)
- Michelangelo Antonioni: Zabriskie Point 1970
- Michelangelo Antonioni: Professione: Reporter (The Passenger) 1975